Saskia Wilson-Brown

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Ten Encounters opened on October 9, 2021 at Olfactory Art Keller, Andreas Keller’s gallery devoted to olfactory art in New York. 


The exhibition was curated by Saskia Wilson-Brown, and was subsequently also exhibited at the Institute for Art and Olfaction in Los Angeles. 


Find out more

About Ten Encounters

'Ten Encounters' explores meetings between two individuals that had repercussions that shape culture to this day. 


Ten artists from around the world were invited to imagine important meetings - some historical, some mythological - through an olfactory environment. The artists' scented interpretations allowed exhibition visitors to participate in these important moments of human confluence. 


Artists:

Adedognin Abimbola (Nigeria)

Algorithmic Perfumery (Netherlands)


Dana El Masri (Canada)


Lakenda Wallace 
(United States)

Lula Curioca (Mexico)


Maki Ueda 
(Japan)

Niamh O'Connell 
(Ireland)

Ömer İpekçi (Turkey)

Spyros Drosopoulos (Greece | Netherlands}

Zhi'ang Chen (Singapore)



Statement by Andreas Keller

The art of scent creating is an additive process. One scent is added to another. Once a scent is added, it can't be removed. If the result is not what the artist has hoped for, the mixture has to be discarded and the artists starts over. There are no scientific principles that govern what happens when a smell is added to another. Painters have color theory to guide them when mixing colors, but scent creators do not have a "smell theory", they use their intuitions and experiences and go through round after round of trial and error.

 In most cases, mixing two smells results in a smell that is somewhere in between the two components or a simple combination of them. However, sometimes scent creators discover that from the mixture of two odors an entirely new odor gestalt emerges. A similar pattern is found when two humans meet. Most encounters leave no trace, some make a person's day slightly better or worse, but very few have repercussions that shape culture for centuries or even millennia.


 For Ten Encounters , Saskia Wilson-Brown of the Institute for Art and Olfaction invited ten artists from around the world to explore encounters between two individuals that shaped culture to this day. The exhibiting artists created olfactory interpretations of the meeting of a snake queen and a wood seller, artificial intelligence and the last human on earth, a Dutch trader and a Japanese shogun, and seven other consequential encounters. Using their sense of smell, visitors to the gallery can participate in these important moments of human confluence. 

The Encounters

Oshun and Ogun

Ahmosi and Amun

Ahmosi and Amun

 Location: Nigeria + Benin

3rd millenia BC
by Lakenda Wallace

When the Yoruba god of iron Ogún became disgusted with humanity and ran  away to the forest, none of the other gods could persuade him to rejoin  the world. Without him, all production halted, and humans and Orishas  alike began to starve. Oshún decided to step in. She entered the forest  dancing with scarves, revealing and hiding her body. When Ogún  approached, she smeared his lips with honey. Oshún’s sweetness tempted  him out of the forest, and Ogún returned to the city. 

Ahmosi and Amun

Ahmosi and Amun

Ahmosi and Amun

Location: Memphis, Egypt

1507 BC

by Dana El Masri 


One evening, Ahmosi was visited by the god Amun, who made himself  recognizable by his godly aroma. Upon waking, Ahmosi recognized the God.  As the story goes, “his love passed into her limbs, which the fragrance  of the god flooded; all his odors were from Punt.” The result of this  olfactory union was the conception of the second female Pharaoh,  Hatshepsut.

Theseus and the Minotaur

Theseus and the Minotaur

Theseus and the Minotaur

Location: Crete, Minoas

Prior to 6th C BCE

by Spyros Drosopoulos
 

Theseus’ defeat of the minotaur in the labyrinth at Crete was a  central story in Greek mythology. The myth details the heroic journey of  Theseus, in opposition to the animalic desperation of the minotaur,  trapped in his underground labyrinth.

Shahmaran and Camasb

Theseus and the Minotaur

Theseus and the Minotaur

Location: Tarsus Province, Turkey

Time unknown

by Ömer İpekçi
 

After stumbling on a honey filled cave, Camasb, a poor woodseller,  followed its source to discover a secret garden with flowers he had  never seen before. This is the realm of the snakes, ruled by the snake  queen Shahmaran. Bewitched by the beauty of the garden and the queen, he  lived there in peace for a time until – missing his family – he asked  to leave. Shahmaran granted him his freedom on condition that he tell no  one about their world. However, when the king got sick, and at the  vizier’s urging, Camasb told of her location, and she was killed. Her  corpse, as an ingredient, has three different qualities. Life, death and  wisdom.

Tristan and Iseult

Admiral Zheng He and the Sultan of Malacca

Admiral Zheng He and the Sultan of Malacca

Location: Ireland and Cornwall

12th C CE

by Niamh O’Connell
 

Cornish knight Tristan is sent by King Mark to retrieve Irish  princess Iseult. On the way home, the two inadvertently consume a love  potion, causing them to fall irretrievably in love with one another.  Although Iseult marries King Mark, they cannot stop themselves from  continuing their adulterous relationship. King Mark, learning of the  affair, lays a trap to discover them. When he does, he sentences Iseult  to burning and Tristan to the gallows. In some versions of the story,  they survive. In most, they do not.

Admiral Zheng He and the Sultan of Malacca

Admiral Zheng He and the Sultan of Malacca

Admiral Zheng He and the Sultan of Malacca

 Location: Malacca (Malaysia) 

1405 CE

by Zhi’ang Chen
 

In the early 15th century, the Emperor of China appointed Admiral  Zheng He as an envoy, commanding a majestic fleet of trade ships, to  make contact with and establish trade relationships with various  kingdoms from South Asia all the way to Africa. In particular, the  fleet’s sojourn in the Sultanate of Malacca, an integral part of the  Spice Routes, marked the first encounter between Chinese and Malayan  heritages. Their confluence eventually produced the rich interwoven  tapestry that is the unique Peranakan/Nonya culture, whose influence can  be felt in Southeast Asia, including in Singapore, to this day.

Tokugawa Tsunayoshi and Engelbert Kaempfer

Sor Juana Inés de la Cruz and the Viceroy Lysi

Sor Juana Inés de la Cruz and the Viceroy Lysi

 Location: Edo, Japan 

1691 CE

by Maki Ueda
 

Tokugawa Tsunayoshi was one of the shoguns of the Edo period in  Japan, and Engelbert Kaempfer stayed in Dejima (Nagasaki) for about two  years as a German doctor of the Dutch trading post. During the period of  national isolation, the Netherlands was Japan’s only trading partner.  The Dutch East India Company brought textiles and fragrance materials  from Batavia to Nagasaki. The fragrance materials include agarwood,  natural borneol, and cloves: mostly meant for incense.


 In order to  present these goods, Kaempfer met the shogun Tsunayoshi in Edo twice, in  1691 and 1692.

Sor Juana Inés de la Cruz and the Viceroy Lysi

Sor Juana Inés de la Cruz and the Viceroy Lysi

Sor Juana Inés de la Cruz and the Viceroy Lysi

 Location: Mexico City 

1680 CE

by Lula Curioca
 

The 17th century nun and poet Sor Juana Inés de la Cruz was a  forerunner of feminism in Mexico. She dedicated herself to religious  life not by divine vocation, but to cover her intellectual need for  knowledge. When Sor Juana Inés de la Cruz met the Spanish vicereine of  Mexico María Luisa Manrique de Lara y Gonzaga – or Lysi, as she called  her – she became her patron and they fell in love. Their mutual devotion  was embodied in Mexican literature; intermingling in the texts the life  of the convent and palace festivities, which led to the development of a  literary body of work of inescapable historical importance in Hispanic  and world literature.

Fela Kuti and the unknown soldier

Fela Kuti and the unknown soldier

Fela Kuti and the unknown soldier

Location: Lagos, Nigeria 

1977 CE

by Adedognin Abimbola and Saskia Wilson-Brown, with thanks to Anahita Mekanik
 

In 1977, Fela Kuti and Africa 70 released the album Zombie, which  heavily criticized Nigerian soldiers. The album infuriated the  government, who raided Kuti’s commune – known as Kalakuta Republic –  with 1,000 soldiers. During the raid, Kuti was severely beaten, and his  elderly mother was fatally injured after being  thrown from a top story window. The commune itself was burnt down. The  Nigerian government launched a  official inquiry into the incident,  concluding that the commune had been lit on fire by an “unknown  soldier”. As a tribute to his mother, Fela Kuti recorded an album of  that name in 1979, released in 1981.

The Last Human on Earth and an AI

Fela Kuti and the unknown soldier

Fela Kuti and the unknown soldier

 Location: Earth

The future

by Algorithmic Perfumery
 

It’s the end of the human inhabitation of Earth, and all humans have  left the planet, except one. This scent tracks the encounter between the  last human, and the AI that humanity left behind.


Copyright © 2026 Saskia Wilson-Brown - All Rights Reserved.


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