Saskia Wilson-Brown

Coining a term

Pith·y·dot·com
[pith-ee; dot; kom]
pith· y· dot· com· ly (adv.) pith· y· dot· com· ness (n.)

  1. (adj.) Terse and full of meaning or substance; clever, short and self-referential, with a soupçon of narcissism; Used exclusively in association with online public messaging when employed for the benefit of anonymous followers and demi-friends. Usage: “Well, Barbara, I understand your concerns: In person he’s pretty sadtrombone.com. It’s just that his Twitter updates are so pithydotcom that I’ve decided to meet him for dinner, regardless.”; “I wish she would speak as pithydotcomly to me as she does to her Facebook friends…”

    Filed under: just killing time, words I like ,

    Marketing Your Video Online

    Picture 1A semi-updated version of my introductory primer for learning how to market your film or video online… Download the PDF here.

    If you have any questions, suggestions, addendums, please email me at saskia@saskiawilsonbrown.com.

    Filed under: diy distribution, film, video ,

    100,000 eyeballs to your film, in 3 days flat.

    VodoAn important new weapon in the arsenal for filmmakers who are bucking the system and choosing to self-distribute, VODO is incredibly subversive. Its success, after all, is predicated on human generosity, not to mention the radical (and counter-intuitive) act of letting your film loose in the P2P world… Believe me, it’s probably there already.

    With all that said, the benefits are tangible: In its first few days of existence, this new brainchild of filmmaker Jamie King has already proven to be very effective.

    So what is VODO? Simply put, it’s an additional distribution option for filmmakers, one that utilizes and consolidates existing file-sharing systems -- as they put it: ‘a distribution system for the post-copyright age’.

    What VODO proposes is that P2P filesharing services (such as The Pirate Bay) can be utilized by filmmakers to reach an unprecedented amount of potential viewers. What makes VODO’s service special is its use of the ‘Distribution Coalition (DISCO)’–  a coalition of the P2P/filesharing sites. VODO acts as a pipeline of content, populating the various P2P services with the films it represents. This, in turn, allows filmmakers to get their content released in the P2P universe in a cohesive way, with the chance of an income through crowd-sourced donations. The purpose, then, of  VODO is to harness the filesharing world and distribute content in it in a way that benefits filmmakers (and, eventually, creators of all stripes).

    What this means – in layman’s terms – is that if your film gets selected for VODO, it will get a cohesive release across across a wide selection of filesharing sites and services, complete with an actionable donation capability which will allow people who watch your film to support you with money.

    So, my ask to you is that you go support this new tool for independent filmmakers today. Here are several ways you can help:

    If you doubt the reach of filesharing, note that VODO launched a few days ago (on the 14th of October, specifically) with the documentary US NOW, and, at the time of writing, has already obtained 100,000 downloads for filmmaker Ivo Gormley.

    That, my friends, is a hell of a lot of downloads.

    Filed under: diy distribution, film, friends doing cool things, subverting dominant paradigms, theory, video , , , , ,

    Screenshot Diary: October 13, 09

    click the image below to see my rules for being a decent human being.

    2009_10_13

    Filed under: Screenshot Diary

    Dustin Curtis on flying

    “Airplane travel is the quintessential phobia, and it causes suffering for millions. More than half of fliers report some level of anxiety before boarding a plane, and 5% of the population refuses to fly at all. The fear, however, is not supported by data. A passenger’s chance of dying on a plane is roughly 2000% lower than the chance of dying in a car on any given trip. The accident rate on airplanes is lower than two deaths per billion passenger-miles flown. In fact, for most airlines, more people die from heart attacks and other medical emergencies in flight than die when their airplane crashes. Transportation by air is undeniably safe.

    But those are mere facts. As we reach our cruising altitude, none of them matter to Mr. Kandarski.”

    (Dustin Curtis is bloody brilliant.)

    Filed under: Travel, an obsession , ,

    Emails to People I Love

    Hey ___,

    Tonight I bore witness to two hardcore East L.A. vatos passionately kissing each other; their heavy silver chains clanking, their (previously crisp, one imagines) wifebeaters rumpled and sweaty, their neck tattoos sheened with sweat, their shell-topped feet softly shuffling, their shaved heads bumping, cooing and grunting with desire.

    Watching them, jaw agape, I revisited one of my favorite musings about our culture’s concepts of masculinity as applied to homosexuality. I always felt that the ‘effeminate’ character that the world-at-large applies to gay men was strange given their stated and clear preference for the absence of women in the bedroom. Perhaps it’s because one appears less masculine when put into contrast with another man – or maybe people  adopt the effeminate thing to better understand and communicate the sexuality they are engaging in- making it easier to place themselves into the familiar construct of the male-female paradigm.

    Tho often self-perpetuated, obviously, I always nonetheless thought that it was a strange sort of stereotype. Tonight I felt slightly vindicated, as I used to when I quakingly served pints of bitter to my old boss @ the gay pub I worked at in London (he was one of those Souf’ Londoners, a very violent and particularly surly gangster, scowl-lined face, with an angry stance and big fucking boots. His gayness did not affect his masculinity at all- in fact, quite to the contrary, he used it as a sort of weapon, an extra-masculinity: He was so macho, in fact, that women disgusted him- weak and pathetic creatures that they are).

    All is not always as it seems, no?

    Love,
    Saskia

    Filed under: dispatches , , ,

    Que pasa con Saskia?

    I’m an independent media advocate, producer-at-large, and strategist for independent film, film festivals, and filmmakers.

    A captive tweeter @saskiawb

    Pic de la semaine

    Little Gelfo

    There's a story, here

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